What Verb is Your Character? Actioning for Writers
~ I ________ you ~
I was very fortunate to have the chance to hear Damon Suede speak at the New Jersey Romance Writers Conference last fall. The topic of his talk was character development.
Give Your Character a Verb
One thing that stood out for me was his suggestion that before you decide on hair color or height or even occupation for your main character, you should come up with a transitive verb that represents the internal core of your character. Then you should pick an opposite verb for the antagonist.
Let the Verb dictate the Character’s Details
Once we have the identifying verb identified, all of the other features of the character should fall in place. For example, if the verb we choose for our character is IGNITE, then everything about that character will be bright and fiery. A person who ignites might be someone with red hair, sparkling eyes, emanating warmth, sexy hot, and working as a fireman.
With this verb in mind, our word choices and the character’s actions would also reflect this verb. An igniting character might light up a room or send flaming passion through you when they touched you.
Damon even suggested writers could use a different synonym of the character’s main verb as a guiding force for every chapter in our novel.
Wow, this idea really ignited me. So I set out to give it a try.
Identifying Transitive Verbs
But first, I have to admit the grammatical term transitive verb threw me. I mean I knew what it meant – sort of. A transitive verb is any active verb you can use to fill in this sentence and have it sound sensible.
I _____ACTIVEÂ VERB_____ you.
So I ignite you works. I sleep you does not.
Damon suggested we consult a thesaurus to find our character verbs. But for me that involved a lot of “is it transitive or not” questions as well as tedious skimming through pages of non-verbs. So I went hunting for a thesaurus that focused on verbs and hit the jackpot.
Try Actions: The Actors Thesaurus
Actions: The Actors’ Thesaurus by Marina Caldarone & Maggie Llyod-Williams isn’t just a verb thesaurus. It is a thesaurus of transitive verbs, and it has a very specific purpose. It is used by actors to choose how a character will behave when saying each one of his or her lines. This is called Actioning, a technique developed by the Russian actor and director, Constantin Stanislavski.
Usually actioning is done with the whole cast sitting around a table and going line by line through the script. Actors identify a transitive verb for each line as a cue to how they will say it and how they will move. For example, perhaps the line in the play reads: “Would you like to dance?” In concert with the cast, the actor might decide to say this as if “I love you” or “I seduce you” or “I hate you” or “I fear you.” The actor being addressed would then choose a verb representing how they would respond.
Taking it Farther: Using Active Verbs to Spark up Dialogue
Wow. This gave me a brainstorm. Why not do the same thing when writing dialogue? If a character already has a main transitive verb then we can use its synonyms whenever that character speaks. So, if the character is a beguiler (I beguile you) they might amuse, belittle, bewitch, cajole, charm, cheat, coax, court and so on when speaking.
In the WIP I am working on right now, Book 4 Under the Skin in my Skin series, I have chosen I escape you for my heroine and I protect you for my hero. I’ll let you know how it goes.
This isn’t easy–at least for my current WIP–but I think it’s exactly what’s needed before I go further. I’m about to get on a plane — will think transitive verbs and actioning and see what I have by the time I land. Thanks Zara!
So often we think of adjectives for our characters, but active verbs can really give them movement and force, and I find up the pacing in spots where straight description would drag. So far I think it’s definitely deepening my characters. I’ll post again when I have more written. Let me know if it helps you. I have to say the book Actions: The Actors’ Thesaurus is certainly great for finding those exciting verbs to use whether you apply them to your character or not. Great resource.
I usually know how my characters will respond to a situation, but I never have put a word to it. It may work for some people. Interesting thought.